Hi,
I am required to provide a video format at the 1920x1080 size with a "Baseline" "level 3" profile. When trying to do so, Media Encoder displays an error message stating that I can't.
Has anyone got the solution?
Regards
Teddy
↧
Can I export video with Baseline 3 profile and keep 1920x1080 size?
↧
Help Please - Time-lapse workflow for Pond5 submissions
I'm still pretty new to time-lapse and video rendering, so please excuse any obvious ignorance...
I've beem shooting time-lapse clips with a Canon 5D Mk III and at times have up to 2,500 raw frames. I shoot in manual mode in raw format.
My current workflow:
1) transfer files to my pc working folders (i7-7820x 32GB ram with lots of hdd and ssd space)
2) Bridge/ACR for initial exposure, white balance, etc.
3) LRTimelapse Pro to manage overal smoothing/deflicker
4) Back to Bridge/ACR for final touch-up
5) Import sequence to After Effects
6) Create composition - target frame rate either 23.967 or 29.97 fps
Now to the question: best rendering approach for full frame video submission to Pond5? (render engine is AME)
From the Pond5 blog:
>Resolution and Frame Rate
>4K and above: Keep the file size below 5GB - my note: the clips are in this range due to the 5730 x 3840 frame
>Codecs
>We accept the following codecs (in order of preference):
- Unmodified camera-native codecs, including R3D (see below), AVCHD, H264, PRORES, DNxHD, DNxHR, M2TS, XDCam, MXF, HDV, DV, DVCProHD.
- Apple ProRes
- Avid native DNxHD
- H.264. (We accept H.264 when it’s the camera’s native codec or as a broadcast-quality intermediate. Camera-native files can be uploaded without modification. For intermediate H.264, make sure that it is set to the highest quality.)
In my case there is no "camera-native" video format as they begin as raw stills.
My goal: highest quality for the final customer/consumer - so I'm treating my work as an "intermediate" that will likely be edited again.
I don't have a problem using the h.264 codec, but is this appropriate for further work? (my reading indicates this codec is intended as a "viewing" codec)
I have also created various ProRes outputs, but, aside from long renders, it's easy to exceed the 5GB file size.
A "best practices" approach is my goal; I want to have a stabilized working practice.
Suggestions appreciated,
Bob
↧
↧
CBR vs VBR setting in Media Encoder for Amazon Video Direct
Greetings,
I have a video file that I uploaded to Amazon Video Direct. But they found a couple of problems with it.
They said that the Video uses VBR. But that they only accept CBR.
If I choose the H.264 Preset, then I see a choice to select VBR/ CBR.
However, I'd like to use the ProRes 422HQ preset, but when I select this, I didn't find a Setting that allowed me to choose CBR (instead of VBR), or for that matter the Bit Rate.
Any idea on how to achieve this?
Thanks in advance.
Regards,
Rajnesh
↧
Can I export video with Baseline 3 profile and keep 1920x1080 size?
Hi,
I am required to provide a video format at the 1920x1080 size with a "Baseline" "level 3" profile. When trying to do so, Media Encoder displays an error message stating that I can't.
Has anyone got the solution?
Regards
Teddy
↧
Media Encoder wrong source duration for both bin exported media from Premiere and images dragged in
This is an incredibly frustrating issue I have across Premiere and ME versions.
I have a bunch of images I want to export as Mp4 to batch concatenate with ffmpeg.
The issue:
The problem is when I drag images to ME to export as video they default to 5s. This is despite having them set to 14s in Premiere.
As a way around this I tried exporting the images from Premiere's bin (right click, Export Media). However, for some reason, when I do this the queued items in ME end up about ~12 hours! The source range is set to 'entire clip'. I have no idea how it got this 11:59 hr value for the source range, I tried both with and without a sequence in the bin of the project.
I can change the source range to 'in/out' manually but this is not a good option for many files. I even tried selecting multiple clips at once and changing the source range but it only changes the first clip selected.
↧
↧
HEVC (H.265) HDR setting dims the image
I'm working with a video file that I'm exporting from AfterEffects to Media Encoder to render. The file needs to be in HDR, but whenvever I check the HDR button in the HEVC encoding settings, it causes my video to render much darker. Regardless if viewed on an HDR TV or a computer monitor, the dark colors come out black, and the light colors come out dim and dingy. Unchecking the HDR box causes it to look like the pre-processed AE file, so I've isolated it to that one setting.
My questions is if this is a known issue, and if anyone knows of a way to compensate, short of cranking up the levels and saturation in the original AfterEffects file?
↧
No warning on rendering when font is missing or not synced.
This is incredibly frustrating. Occasionally I'll have an evening/ overnight queue. I'll start it and sometimes it'll crash and I may have to reset my pc.
When opening AME and continuing the queue I will get no warning if fonts are not synced before I start the render. In this specific instance this is with AE projects rendered in AME but I believe it happens with Premiere as well.
Typekit syncing is a mess.
↧
CBR vs VBR setting in Media Encoder for Amazon Video Direct
Greetings,
I have a video file that I uploaded to Amazon Video Direct. But they found a couple of problems with it.
They said that the Video uses VBR. But that they only accept CBR.
If I choose the H.264 Preset, then I see a choice to select VBR/ CBR.
However, I'd like to use the ProRes 422HQ preset, but when I select this, I didn't find a Setting that allowed me to choose CBR (instead of VBR), or for that matter the Bit Rate.
Any idea on how to achieve this?
Thanks in advance.
Regards,
Rajnesh
↧
Can I export video with Baseline 3 profile and keep 1920x1080 size?
Hi,
I am required to provide a video format at the 1920x1080 size with a "Baseline" "level 3" profile. When trying to do so, Media Encoder displays an error message stating that I can't.
Has anyone got the solution?
Regards
Teddy
↧
↧
Media Encoder wrong source duration for both bin exported media from Premiere and images dragged in
This is an incredibly frustrating issue I have across Premiere and ME versions.
I have a bunch of images I want to export as Mp4 to batch concatenate with ffmpeg.
The issue:
The problem is when I drag images to ME to export as video they default to 5s. This is despite having them set to 14s in Premiere.
As a way around this I tried exporting the images from Premiere's bin (right click, Export Media). However, for some reason, when I do this the queued items in ME end up about ~12 hours! The source range is set to 'entire clip'. I have no idea how it got this 11:59 hr value for the source range, I tried both with and without a sequence in the bin of the project.
I can change the source range to 'in/out' manually but this is not a good option for many files. I even tried selecting multiple clips at once and changing the source range but it only changes the first clip selected.
↧
Help Please - Time-lapse workflow for Pond5 submissions
I'm still pretty new to time-lapse and video rendering, so please excuse any obvious ignorance...
I've beem shooting time-lapse clips with a Canon 5D Mk III and at times have up to 2,500 raw frames. I shoot in manual mode in raw format.
My current workflow:
1) transfer files to my pc working folders (i7-7820x 32GB ram with lots of hdd and ssd space)
2) Bridge/ACR for initial exposure, white balance, etc.
3) LRTimelapse Pro to manage overal smoothing/deflicker
4) Back to Bridge/ACR for final touch-up
5) Import sequence to After Effects
6) Create composition - target frame rate either 23.967 or 29.97 fps
Now to the question: best rendering approach for full frame video submission to Pond5? (render engine is AME)
From the Pond5 blog:
>Resolution and Frame Rate
>4K and above: Keep the file size below 5GB - my note: the clips are in this range due to the 5730 x 3840 frame
>Codecs
>We accept the following codecs (in order of preference):
- Unmodified camera-native codecs, including R3D (see below), AVCHD, H264, PRORES, DNxHD, DNxHR, M2TS, XDCam, MXF, HDV, DV, DVCProHD.
- Apple ProRes
- Avid native DNxHD
- H.264. (We accept H.264 when it’s the camera’s native codec or as a broadcast-quality intermediate. Camera-native files can be uploaded without modification. For intermediate H.264, make sure that it is set to the highest quality.)
In my case there is no "camera-native" video format as they begin as raw stills.
My goal: highest quality for the final customer/consumer - so I'm treating my work as an "intermediate" that will likely be edited again.
I don't have a problem using the h.264 codec, but is this appropriate for further work? (my reading indicates this codec is intended as a "viewing" codec)
I have also created various ProRes outputs, but, aside from long renders, it's easy to exceed the 5GB file size.
A "best practices" approach is my goal; I want to have a stabilized working practice.
Suggestions appreciated,
Bob
↧
Can I export video with Baseline 3 profile and keep 1920x1080 size?
Hi,
I am required to provide a video format at the 1920x1080 size with a "Baseline" "level 3" profile. When trying to do so, Media Encoder displays an error message stating that I can't.
Has anyone got the solution?
Regards
Teddy
↧
HEVC (H.265) HDR setting dims the image
I'm working with a video file that I'm exporting from AfterEffects to Media Encoder to render. The file needs to be in HDR, but whenvever I check the HDR button in the HEVC encoding settings, it causes my video to render much darker. Regardless if viewed on an HDR TV or a computer monitor, the dark colors come out black, and the light colors come out dim and dingy. Unchecking the HDR box causes it to look like the pre-processed AE file, so I've isolated it to that one setting.
My questions is if this is a known issue, and if anyone knows of a way to compensate, short of cranking up the levels and saturation in the original AfterEffects file?
↧
↧
Media Encoder wrong source duration for both bin exported media from Premiere and images dragged in
This is an incredibly frustrating issue I have across Premiere and ME versions.
I have a bunch of images I want to export as Mp4 to batch concatenate with ffmpeg.
The issue:
The problem is when I drag images to ME to export as video they default to 5s. This is despite having them set to 14s in Premiere.
As a way around this I tried exporting the images from Premiere's bin (right click, Export Media). However, for some reason, when I do this the queued items in ME end up about ~12 hours! The source range is set to 'entire clip'. I have no idea how it got this 11:59 hr value for the source range, I tried both with and without a sequence in the bin of the project.
I can change the source range to 'in/out' manually but this is not a good option for many files. I even tried selecting multiple clips at once and changing the source range but it only changes the first clip selected.
↧
CBR vs VBR setting in Media Encoder for Amazon Video Direct
Greetings,
I have a video file that I uploaded to Amazon Video Direct. But they found a couple of problems with it.
They said that the Video uses VBR. But that they only accept CBR.
If I choose the H.264 Preset, then I see a choice to select VBR/ CBR.
However, I'd like to use the ProRes 422HQ preset, but when I select this, I didn't find a Setting that allowed me to choose CBR (instead of VBR), or for that matter the Bit Rate.
Any idea on how to achieve this?
Thanks in advance.
Regards,
Rajnesh
↧
Can I export video with Baseline 3 profile and keep 1920x1080 size?
Hi,
I am required to provide a video format at the 1920x1080 size with a "Baseline" "level 3" profile. When trying to do so, Media Encoder displays an error message stating that I can't.
Has anyone got the solution?
Regards
Teddy
↧
HEVC (H.265) HDR setting dims the image
I'm working with a video file that I'm exporting from AfterEffects to Media Encoder to render. The file needs to be in HDR, but whenvever I check the HDR button in the HEVC encoding settings, it causes my video to render much darker. Regardless if viewed on an HDR TV or a computer monitor, the dark colors come out black, and the light colors come out dim and dingy. Unchecking the HDR box causes it to look like the pre-processed AE file, so I've isolated it to that one setting.
My questions is if this is a known issue, and if anyone knows of a way to compensate, short of cranking up the levels and saturation in the original AfterEffects file?
↧
↧
CBR vs VBR setting in Media Encoder for Amazon Video Direct
Greetings,
I have a video file that I uploaded to Amazon Video Direct. But they found a couple of problems with it.
They said that the Video uses VBR. But that they only accept CBR.
If I choose the H.264 Preset, then I see a choice to select VBR/ CBR.
However, I'd like to use the ProRes 422HQ preset, but when I select this, I didn't find a Setting that allowed me to choose CBR (instead of VBR), or for that matter the Bit Rate.
Any idea on how to achieve this?
Thanks in advance.
Regards,
Rajnesh
↧
Can I export video with Baseline 3 profile and keep 1920x1080 size?
Hi,
I am required to provide a video format at the 1920x1080 size with a "Baseline" "level 3" profile. When trying to do so, Media Encoder displays an error message stating that I can't.
Has anyone got the solution?
Regards
Teddy
↧
Converter MP4 para FLV
Boa tarde!
Eu preciso enviar um vídeo para um cliente que só é aceito em formato flv com no máximo 99 mb. O vídeo tem mais de 7 minutos e está super leve em mp4, mas ao passar para flv ele ultrapassa os 99 mb.
Alguém sabe me falar como posso converter para essa especificação sem perder a qualidade do vídeo?
Muito obrigada!
↧